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Monday, February 24, 6 – 8pm

#SeeArtDifferently

$90; members $81
(2-hour workshop)

Registration opens November 20 at 10am; members can enroll November 18 at 10am. Join now!

Apply for Scholarship Registration Opens Soon

About the Series

Our exciting new series, Looking and Listening, explores the historical and theoretical relationship between visual art and music. Join us in the Barnes galleries, where Albert Barnes often used music in his teachings. Surrounded by Matisse, Picasso, Renoir, and Cézanne, we will listen to various recordings—from Stravinsky and Ravel to African American spirituals—and discuss how perception changes when the visual and aural intersect. While some classes will be rooted in history, focusing on the stylistic conventions of a particular era, others will be more loosely conceived, with time devoted to pure sensory exploration.

About the Class

The Art of Atmospheric Sound

Visual art often suggests the sense of sound: a painting of swaying branches evokes a gust of wind; you can almost hear the crackling of the fire in Manet’s Tarring the Boat. This workshop is a meditative experience that pairs deep listening with close looking. The two-hour session includes a short introduction to crystal singing bowls, a guided sound bath, and close looking at artwork in the Barnes collection. Students will have an opportunity to share personal reflections and ask questions. No prior experience with meditation is necessary. For added comfort, please consider wearing loose-fitting clothing to the session. Props such as blankets and yoga mats are encouraged but optional.

Capacity: 60

Barnes classes will:

  • Sharpen your observational and critical thinking skills.
  • Improve your ability to communicate about art.
  • Deepen your appreciation for cultures and histories outside your own.

See all classes.

Instructor

Roksana Filipowska

Filipowska is a researcher, art historian, third-generation tarot reader, meditation facilitator, and arts, culture, and equity consultant. Working at the intersection of art, science, and wholeness, she co-creates experiences of presence and relaxation. Her recent publications include "Being Present with Art: Mindful and Interactive Engagement with Art Lowers Stress While Increasing Attention and Belonging" in the Journal of Museum Education.

Recent Barnes Class Testimonials

“Naina Saligram is the professor everyone hopes to have. She is knowledgeable and open to listening to her students.” The Classical Tradition in Modern Art with Naina Saligram

“Joe Tokumasu Field was a wonderful instructor—very patient, caring, and skilled at interacting with students’ questions and comments.” The Japanese American Century with Joseph Tokumasu Field

“Kaelin got us involved in the conversation in a way that made it engaging and fun. I learned so much and didn’t feel like I was just being lectured at the whole time. The class was well paced and covered the basics without oversimplification.” The Language of Painting with Kaelin Jewell

“I love these close-looking classes; [it’s great] to see the details of each painting and to have an instructor lead our eyes in how best to look at a work of art.” Close-Looking Immersion: Glackens’s The Raft with William Perthes

“The instructor was amazing! She was extremely knowledgeable, friendly, funny, and open to questions. She brought in outside resources and made herself available via email for questions between classes. I would take anything she teaches.” The Impressionists: Friends and Family with Caterina Pierre