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Thursdays, January 23 – February 13, 3 – 5pm

#SeeArtDifferently

Henri Matisse. The Venetian Blinds (detail), 1919. The Barnes Foundation, BF897. © 2024 Succession H. Matisse / Artists Rights Society (ARS), New York

$220; members $198
(4 classes)

Registration opens November 20 at 10am; members can enroll November 18 at 10am. Join now!

Apply for Scholarship Registration Opens Soon

About the Class

Henri Matisse often reminded people that even if his colorful paintings looked spontaneous, they were the result of difficult and demanding work. This course is a deep dive into Matisse’s process of making.

Over four sessions, we will examine Matisse's source materials, his relationships with his models, the impact of his various studios, and the collection of objects that surrounded him in those spaces. What can these factors reveal about the often mysterious ways in which works of art are created? We will explore selected objects spanning Matisse’s career across a diverse range of media, including paintings, sculptures, drawings, prints, paper cutouts, artist’s books, and textiles. We’ll also pay close attention to Matisse’s own words and the ideas he communicated about his creative process.

The class is online-only. More about online classes.

Already registered? Log in to Barnes Learning.

Barnes classes will:

  • Sharpen your observational and critical thinking skills.
  • Improve your ability to communicate about art.
  • Deepen your appreciation for cultures and histories outside your own.

See all classes.

 

Henri Matisse. The Venetian Blinds, 1919. The Barnes Foundation, BF897. © 2024 Succession H. Matisse / Artists Rights Society (ARS), New York

Instructor

Ellen McBreen

McBreen is a professor of art history at Wheaton College, Massachusetts. She is co-writing a monograph about Matisse with Claudine Grammont, to be published in 2025. She is the author of Matisse’s Sculpture: The Pinup and the Primitive (2014) and co-curated Matisse in the Studio at the Museum of Fine Arts, Boston, and Royal Academy, London (2017) and Migrating Objects at the Peggy Guggenheim Collection, Venice (2020).

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“Kaelin got us involved in the conversation in a way that made it engaging and fun. I learned so much and didn’t feel like I was just being lectured at the whole time. The class was well paced and covered the basics without oversimplification.” The Language of Painting with Kaelin Jewell

“I love these close-looking classes; [it’s great] to see the details of each painting and to have an instructor lead our eyes in how best to look at a work of art.” Close-Looking Immersion: Glackens’s The Raft with William Perthes

“The instructor was amazing! She was extremely knowledgeable, friendly, funny, and open to questions. She brought in outside resources and made herself available via email for questions between classes. I would take anything she teaches.” The Impressionists: Friends and Family with Caterina Pierre