Fridays, September 6 – September 27, 1 – 3pm
![](https://barnesfoundation.imgix.net/sharedBackgroundImages/bf264_i9r_220222_200844.jpg?crop=faces&fit=crop&fm=pjpg&fp-x=0.5&fp-y=0.5&h=380&ixlib=php-2.1.1&w=380)
Henri Matisse. Seated Riffian (detail), 1912. The Barnes Foundation, BF264. © 2024 Succession H. Matisse / Artists Rights Society (ARS), New York
$220; members $198
(4 classes)
About the Class
Today, we take it for granted that artists can depict anything they want, in whatever colors they want. But to paint real-world things in “unnatural” colors—for instance, a green sky or blue grass—was an artistic liberty regained only about 150 years ago after centuries of repression. This course looks at the various ways in which color was redefined between 1860 and 1914, from Manet to Matisse, with a particular emphasis on color as touch, system, symbol, and drawing in the works of artists such as Pissarro, Cézanne, Van Gogh, Gauguin, and Seurat.
The class is online-only. More about online classes.
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Barnes classes will:
- Sharpen your observational and critical thinking skills.
- Improve your ability to communicate about art.
- Deepen your appreciation for cultures and histories outside your own.
![](https://barnesfoundation.imgix.net/imageImages/11-06-17-In-Focus_Seated-Riffian-BF264_220222_202325.jpg?crop=faces&fit=crop&fm=pjpg&fp-x=0.5&fp-y=0.5&h=auto&ixlib=php-2.1.1&w=590)
Henri Matisse. Seated Riffian, 1912. The Barnes Foundation, BF264. © 2024 Succession H. Matisse / Artists Rights Society (ARS), New York
Instructor
![](https://barnesfoundation.imgix.net/personImages/Headshot_Paul-Galvez_221205_173824.jpg?fm=pjpg&fp-x=0.5271&fp-y=0.4263&h=275&ixlib=php-2.1.1&w=275)
Paul Galvez
Galvez is research associate at the Edith O’Donnell Institute of Art History at the University of Texas at Dallas. His book Courbet’s Landscapes: The Origins of Modern Painting (Yale University Press) is the first book-length study of Gustave Courbet’s work in the genre. A scholar of modern art from the 19th century to the present, Galvez was guest curator of Object Lessons: Jay DeFeo Works on Paper from the 1970s (Galerie Frank Elbaz, Dallas in 2018) and has recently written on Cézanne and James Ensor for Artforum.
Recent Barnes Class Testimonials
“Naina Saligram is the professor everyone hopes to have. She is knowledgeable and open to listening to her students.” The Classical Tradition in Modern Art with Naina Saligram
“I learned so much in this class, especially things I would not have considered or did not learn when taking art history classes in college.” Portraiture at the Barnes: From the 15th Century to Modernism with Laura Watts
“Kaelin is an amazing professor and has so much knowledge about the collection and the Barnes Foundation. She makes the content interesting and encourages your ideas and questions.” The Traditions of Art with Kaelin Jewell
“I love Cézanne’s art. I am a neuroscientist and always use Cézanne as an example of an artist when I teach vision and the art of seeing. This class helped me appreciate Cézanne’s work even more [and] was very engaging.” Close-Looking Immersion: Cézanne’s Ginger Jar with William Perthes
“The instructor was amazing! She was extremely knowledgeable, friendly, funny, and open to questions. She brought in outside resources and made herself available via email for questions between classes. I would take anything she teaches.” The Impressionists: Friends and Family with Caterina Pierre