Tuesdays, April 22 – May 13, 2 – 4pm
$220; members $198
(4 classes)
About the Class
Join us for a behind-the-scenes look at the organization and launch of an exhibition at the Barnes. Taught by Cindy Kang, curator of the summer 2025 collection installation From Paris to Provence: French Painting at the Barnes, this class will give students a preview of the themes of the show and provide an exclusive look at how various departments across the institution collaborate to successfully present an exhibition to the public.
The class is online-only. More about online classes.
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Barnes classes will:
- Sharpen your observational and critical thinking skills.
- Improve your ability to communicate about art.
- Deepen your appreciation for cultures and histories outside your own.
Instructor
Cindy Kang
Kang is a curator at the Barnes. She is a specialist in modern European art and particularly focuses on the relationship between painting and decorative arts in late 19th- and early 20th-century France. In addition to curating From Paris to Provence, she co-curated Marie Laurencin: Sapphic Paris (2023–24), curated Marie Cuttoli: The Modern Thread from Miró to Man Ray (2020), and served as managing curator for the Barnes presentations of Berthe Morisot: Woman Impressionist (2018–19) and Renoir: Father and Son / Painting and Cinema (2018).
Recent Barnes Class Testimonials
“Naina Saligram is the professor everyone hopes to have. She is knowledgeable and open to listening to her students.” The Classical Tradition in Modern Art with Naina Saligram
“Joe Tokumasu Field was a wonderful instructor—very patient, caring, and skilled at interacting with students’ questions and comments.” The Japanese American Century with Joseph Tokumasu Field
“Kaelin got us involved in the conversation in a way that made it engaging and fun. I learned so much and didn’t feel like I was just being lectured at the whole time. The class was well paced and covered the basics without oversimplification.” The Language of Painting with Kaelin Jewell
“I love these close-looking classes; [it’s great] to see the details of each painting and to have an instructor lead our eyes in how best to look at a work of art.” Close-Looking Immersion: Glackens’s The Raft with William Perthes
“The instructor was amazing! She was extremely knowledgeable, friendly, funny, and open to questions. She brought in outside resources and made herself available via email for questions between classes. I would take anything she teaches.” The Impressionists: Friends and Family with Caterina Pierre